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DUPE is a London based collective

A printed zine and online blog

Conceived, written, filmed and illustrated by artists

Previous themes: HAIRY and ROAD TRIP Current theme: DARK

Ask us anything: contactdupe@gmail.com

twitter.com/wearedupe:

    DUPE Talks to Artist Rosie Vohra about the Prince’s Art School, colour and 3 dimensional drawings.

    Rosie how would you describe your work and what you do as an artist?

    Drawing forms the base of everything I do, not only pencil on paper but the act of drawing and collaging with line and colour in 2-dimensions and 3-dimensions. I’m interested in combining my imagination with observation in my work, ultimately creating multi-layered drawings that are an act of thinking onto a surface with reference to my surroundings.

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    What are the differences between your BA and the Princes drawings school? Is there an institute you prefer?

    The drawing school and my BA have been two really different experiences. At Uni there were a lot of opportunities to experiment with mediums such as ceramics, printmaking, painting, metalwork and photography. The freedom of university was what made the structure of taught lessons at the drawing school so challenging and it was amazing to be surrounded by artists who were all interested in the importance of drawing in their practice.

    Who or what are your biggest influences?

    From being in London the past year I have been drawing a lot from Sienese paintings in the National Gallery and Indian miniatures in the British Museum. At the moment I feel really inspired by the use of colour and form in these paintings and how they create rhythm and another language through pattern. 

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    What are your favourite tools to work with?

    If I am in my studio I tend to use lots of different materials and tools all at once. The things I tend to always have in my pencil case are black waterproof ink, a small paintbrush, 4B pencil, stabilo woody colouring pencils and a scalpel.

    Do you ever have nightmares? If so tell me about them?

    I don’t normally have nightmares. The other week I wasn’t sleeping very well and I had a dream there were dead butterflies in the toilet and I had to wee on them to make them come alive. 

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    How often do you draw when you’re not at the Princes school? (Truthfully)

    It varies really, I would say I draw pretty much every day/every other day. Drawing and keeping a sketchbook are something I’ve always done, even before I started the drawing school.

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    What is the darkest thing you’ve drawn/painted?

    I don’t think I have ever intentionally made the subject matter of my drawings ‘dark’. Some of my work from last year is saturated with so much colour that it could come across as slightly unnerving. At the moment I’m interested in exploring the relationship between different colours and seeing how they push and pull your eyes in different directions across a drawing or painting.

    On one of your works you write ‘Growth isn’t a comfortable thing’. Are these your words? If so, why do you think that?

    I remember being in the studio and phoning my older brother because I was finding it difficult to make work under pressure towards the end of my degree and he said ‘growth isn’t a comfortable thing’. Growth is also like change and change isn’t always easy but I think it can sometimes be for the best. 

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    So we’ve met in person and you are always very warm (we haven’t touched) and smiley. Tell me, what makes you angry?

    It’s hard to think what really makes me angry. Sometimes I think people are too quick to judge others and I find that difficult to deal with.

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    What’s next for you now you have graduated from the Princes school?

    After I graduate I plan to stay in London for a little while longer. I think I need some time to make work and process all the things I have learnt over the past year and London is a great place because of all the resources that are on your doorstep! I am also itching to travel (to India in particular). After travelling around China for a month this summer I think I would really benefit from making work in an exciting and unfamiliar place so I hope to apply for some artist residencies as well.  

    http://rosievohra.tumblr.com

    https://twitter.com/rosievohra

    — 3 days ago with 3 notes
    #rosievohra  #Art  #Artist  #DUPE  #GeorgiaLucasgoing  #Interview  #Drawing  #painter  #paint  #Thedrawingschool 
    DUPE chats to Photographer Sophie Stafford about unpaid internships, Malick Sidibé and Paris Techno Parade.

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    What has been your favorite project you have worked on so far?

    Every new project I do tends to be my favourite, but out of my recent work the East Park Boys project.

    If you could visit just one place to take pictures where would it be and why?

     Mexico to photograph Colombian Fashion.

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    Has photography always been what you wanted to do?

    I initially wanted to be a Veterinarian, then I realised I didn’t want to put down animals, then I went university to study business entrepreneurship which surprisingly enough isn’t as interesting as it sounds, so I started taking my Photography more seriously and changed courses to study it.

     What is the hardest part of being a photographer/what are the perks?

    I guess the hardest part of being a photographer is that you have to be much more than that to make a career out of it, you need to market yourself, advertise, network which is completely separate from the enjoyment of making the work. The perks for me are capturing/creating the image I have in my head and telling the interesting stories of the people I meet.

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    What are your tips and tricks for any budding photographers?

    Tips and tricks - Be calm and don’t rush, take your time arranging your subject and making sure you get the image you want. 

     What are your views on unpaid internships?

    I have conflicting views of unpaid internships, it seems in this industry they have become a necessary evil to an extent. From my experience of which I have done many unpaid/barely paid internships, some elements are rewarding and some are not. I dislike extortion of interns for long periods of time with little prospect of gaining a job at the end, or reimbursement for travel/food. I am looking forward for there to be new laws in place to support interns in the workplace.

     Where do you see yourself in 5 years?

    Almost 30 :S

     Do you ever photograph at night?

    Most of the time no, as I tend to use daylight or studio lights.

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    You take alot of portraits and must meet alot of characters. Is there a person that sticks out?

    I once photographed a guy and his really big collection of my little ponies.

    How important is living in London in relation to your work?

    I have lived in London for a year and a half now, and I have yet to photograph any personal projects in London, however whilst living in London I have made connections that have followed on to paid photography work. 

     What do you what viewers to take away from your work?

    Hopefully a connection with my subject, but every person will interpret my work differently.

    Describe yourself in 4 words.

    indecisive, curious,  .. I can only think of two.

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    Who are your favourite photographers and how did they influence you

    One of my favourite photographers is Malick Sidibé I love the style and the make shift backdrops of his portrait shoots and how relaxed and confident his subjects are.

    Whats next for Sophie Stafford?

    I am currently working on a project which I am about to publish from a project at Paris Techno Parade.  Very excited to show this work! 
    — 2 weeks ago
    #http://sophiejanestafford.co.uk  #Photographer  #GeorgiaLucasGoing  #Malick Sidibé  #Paris  #london  #dupe  #artist  #Art 


    DUPE chats to Video Artist Ben Bickford about Channel 4, Rituals and Youtube

    We would visually describe your work as Contemporary Hippy, and Psychedelic, and then we hear the soundtrack for some of them. Rap.

    Is it an intentional contrast? Psychedelic visuals with rap sound?

    The two videos I have made with a “rap” soundtrack were made mainly to expose unsuspecting people (aside from a safety warning)  to my form of Stroboscopic Video Art and to give some purpose to a few of my failed experiments. It is an intentional contrast but Rap has its psychadelic side and a lot of it is about expansion of consciousness in one form or another, I listen to all sorts of music and yeah I do really enjoy a lot of rap/hiphop/trap whatever you want to call it. I think those videos actually came about from spending many nights with my girlfriend experimenting with psychoactive substances, performing rituals, trawling youtube to find new music to enhance these experiences yet she’d always complain about all the music that had no visual and that we were just sat looking at an album cover or something, so I thought I’d make a couple myself.

    Artwork can be inspired by the place where you grow up. Your hometown is Hastings. Do you think the town has influenced your artwork?

    I lived in Hastings from 1986 to 2006 when I moved to London. There is an exercise I learnt from Robert Anton Wilson (RIP Eris be with you Bob) who learnt it from Aleister Crowley who learnt it from a Buddhist monk in Selong. It’s a simulation of enlightenment where you sit down and think of all the reasons, decisions, encounters and chance that brought you to sit down and attempt said exercise. “So I’m sitting here doing this exercise because I read a book by Robert Anton Wilson, Why was I reading that book? Because my friend J told me I should, How did J come to suggest this to me?… and so on. It really doesn’t take long before you end up with reasons such as “I’m sitting here doing this exercise because Emperor Tiberius Claudius Caesar Augustus Germanicus began the conquest of Britain in AD43 eventually coming to Hastings forcing settlers to take refuge in the natural valley between the East and West hills …..I’m doing this exercise because planet Earth is the only planet in our solar system with the capability to support life…..” so it becomes clear that an infinite amount of coincidences, synchronicities, and accidents throughout not just your own history but the history of the Universe has brought you to the point where you are sitting down doing this exercise.  So I think the town has undoubtedly influenced me as a person and as an artist.

    How important is the music to the video art? Half of your videos are silent. How do you choose which ones have sound?

    Some of my videos have soundtracks and they use binaural beats, which is the name given to a method of using two different frequencies in different channels to coax the brain to a frequency that is perhaps so low that humans wouldn’t normally be able to hear those frequencies and experience the power of them. These serve to reinforce the psychic healing and dissociative powers of the Stroboscopic Visuals, unfortunately this only really works when listened to through headphones. So if you want to attempt to fully experience the power of Brainwave Entrainment then the sound listened to through headphones is imperative.  

    Some have been intentionally left silent to make them more accessible to users who perhaps have no idea about stroboscopic visuals or binaural beats or psychic healing tools and want to kick back and relax to some of their favourite music with their chosen consciousness expanding substance and watch some hypnotic visuals.

    Watch the video: VALIS * Stroboscopic / Binauaral Beats * ( Dreammachine Simulator )

    Here at DUPE we follow you on Instagram and notice that you post a lot of Asian images. Are these images your online sketchbook? What are your main inspirations?

    An online sketchbook of sorts is a good way of explaining what that is about, I don’t really know myself. For several years now I have curated an image blog (doommantra.tumblr.com) and a lot of what is on my IG (@doommantra) is my favourite posts from the Tumblr. I try to take inspiration from everything that surrounds me/I surround myself with, Eastern art and thought has for many years been of great interest to me, I guess I first got into it through tattoos and spending a lot of time in tattoo studios with Mahakala masks from Tibet, Japanese woodblock prints and shrines to Ganesh adorning the walls, I found them great tools to meditate on while forcing myself to endure several hours of pain. So I started to look into where this imagery came from, what it represented, what it meant. I’m interested and inspired by what some of the oldest known schools of thoughts have to say about existence, life, death, the creation of the universe… what is the best way to live….what is reality and how do we best experience it? The mysticism that spawns from these ideas and the lives of those who practice the mental and physical exercises of the various sects, magical orders and cults of eastern and some western civilisations/societies.  

    What are your tools of the trade?

    Gan-Zi-Gu-Nu, MacBook Pro, Canon Powershot, Arizer V-Tower, W Grey Walter The Living Brain, Some ancient Sony Hi8 Camcorder, Iphone5, κάνναβις 

    DreamMachine, Soma, The Tibetan Book of The Dead, (RS)-2-(2-Chlorophenyl)-2-(methylamino)cyclohexanone. 

    Describe the creative process in creating one of your Video works.

    It involves a fair amount of swearing, sitting in the dark, looking at percentages increase on timers, smoking and despair.

    Your video works have appeared on Channel 4. What are you working on next?

    Yeah that was great, really grateful that Lightning&Kinglyface asked me to contribute to their short film they aired on Channel 4 last year. 

    Recently I have been working on a collaborative project with an amazing artist who you can find on IG as @jonascrookedmoon or soundcloud as https://soundcloud.com/kryptarituals who makes some of the best lo fi drone music I’ve heard. I’ve been supplying him with visuals for live performances and stroboscopic psychic healing videos tailor made to fit his sounds. Something new will be out for that soon but in the meantime you can watch https://www.youtube.com/watch?v=czCGya244Cc the video I made for the track dödsdrone.

    Have you always made videos? Or has it been a gradual progression.

    I started making videos in 2005 on my foundation course in Hastings with a good friend and early frequent collaborator who unfortunately doesn’t make art anymore. I stopped for a while to become some performance artist that practiced hypnotism and magical rituals but I didn’t enjoy that and I still make other things now and then. Otherwise I’ve been making them on and off for almost 10 years and I honestly still don’t know what I’m doing, I don’t use editing suites properly I just make them work for me. Many hours are still spent trying to learn how to do something I can see in my mind but have no idea in how to do that or how to even phrase it so that Google can find me the answer, so it is a very slow and constant gradual process for me but I like the idea of approaching this technology as a novice, I don’t really want to perfect my understanding/use of technology.

    If you could collaborate with another artist who would it be and why?

    John Whitney (1917-1995) he did the title sequence for Hitchcock’s Vertigo, invented computers for animating and was considered a father of computer animation in general.  After many failed attempts at attainting an out of body experience it finally happened whilst watching one of his videos and practicing a consciousness expanding ritual. I couldn’t get enough of his animations and watched Matrix III several times a week for a month or so. 

    Watch the video: LIL UGLY MANE - NO SLACK IN MY MACK // STROBOSCOPIC VISUALS - DOOMMANTRA

    Our current issue is ‘The Dark Issue.’ What are your darkest thoughts?

    To live is to suffer, there is no meaning to gain through suffering.

    Why survive?

    https://www.youtube.com/user/DoomMantraDoom/videos

    www.doommantra.com (coming soon)

    — 3 months ago with 2 notes
    #Ben bickford  #videoartist  #dupe  #Channel 4  #youtube  #art  #GeorgiaLucasGoing 
    DUPE chats with Illustrator Louise Zergaeng Pomeroy about Goths, where she goes when it gets dark and Japanese horror.
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    . Describe your work in 4 words?

    Precise, descriptive, dry, humorous

    . Pen vs Digital. What side are you on?

    I’d go with pen, but I don’t mind digital unless it starts to look soulless. 

    I use photoshop a lot to clean up my drawings and add colour but I never solely rely on a program. It’s great that the internet makes sharing work so easy, but I really hope print doesn’t get phased out too. 

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    . What is your worst nightmare?
    Being forced to watch a musical, featuring a cast of magicians, for eternity. That and damaging my right arm so I can never draw again. 
    . If you could collaborate with any other artist, who would it be and why?
    That’s a tough question. There’s so many artists I love but I can’t visualise a collaboration. I’d love to work with an animation team one day and make a short film. 
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    Where do you go when it gets dark?
    I never really go to sleep before 2am. Sometimes I work better at night as there are less distractions. Other than working, probably a bar near where I live (east) or soho. 
    . Who has been your favourite person to draw so far?  
    William S Burroughs was really fun to draw. He had such an amazing face, you can definitely tell he had an erm..eventful life. 
    I also really enjoyed drawing portraits from the London tattoo convention. Some of the facial modifications of the subjects were really unusual.
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    . If you weren’t an illustrator, what would be doing instead?

    Probably something to do with protecting human rights.

    . What is the scariest film you’ve ever watched?

    When I was around 13 I used to record horror films on my parents VCR without them knowing (they didn’t know how to use the timer setting). So I ended up watching loads of pretty extreme films like Driller Killer and I Spit on Your Grave but none of it really scared me back then.
    Now I jump so easily, but once I see what the killer or monster is in a film, it usually ruins it. Maybe the original of The Ring? And the original Dark Water, that genre of Japanese horror can be pretty terrifying. 
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    . Where do you see yourself in 5 years?
    I’d like to live somewhere out of the UK for a year or so. Or travel more and draw people I meet along the way. 
    I really love Pat Perry’s blog, his sketchbook work and photos really make me want to jump on a train and draw more from life http://patperry.net/blog
    I’d also like to work on more narrative projects. I’d love to create another book of illustrated shorts, or a graphic novel. 
    . Your work is appearing in DUPE’s next issue, the Dark issue. What is the first thing that comes to mind when i say the word ‘dark’?
    Dark humour. 

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    . Emo’s or Goth’s?

    Definitely goths. I’ll always have a soft spot for them, and I guess I’m borderline. I’m in talks with the organisers of AltFest about doing a reportage project there in August. That’d be a dream job.

    http://www.louisezpomeroy.com

    Read more
    — 5 months ago with 3 notes
    #Georgialucasgoing  #Louisezpomeroy  #illustration  #dupe  #thedarkissue  #louisezergaengpomeroy  #japanese  #goth